Vice Squad

I was just trying to help, I swear.

In fact, the primary directive in wildlife rehabilitation is: First, do no harm. But the indignant male northern cardinal (Cardinalis cardinalis) I had just lifted out of a shoebox clearly interpreted my attempts to do a thorough but gentle intake exam as disrespectful. He spat a curse at me, and before I could blurt out an apology, he clamped that bright orange vice-like beak down on the webbing between my thumb and forefinger with more force than seemed plausible for a creature that weighed less than 2 ounces (57 g). 

There we stood—me holding him and trying not to squeeze, him holding me and trying to squeeze with all of his might. I watched a blood blister forming beneath his pincer but there wasn’t much I could do about it. Any attempt to pry him from my hand risked adding to his injuries. I could only try to remain as still as possible, take deep breaths, and wait for him to let go… even though he appeared firmly cemented in place.


Cardinals are year-round residents in much of the continental U.S., from the East Coast westward into Nebraska, Kansas, Texas, parts of New Mexico, Arizona, and southern California. Familiar and conspicuous, with an easy-to-recognize crest and stop-light bright plumage, even in winter, this species is a perennial favorite of backyard feeder enthusiasts and beginning birders. This species is known to be a courageous defender of both offspring and territory, which may be why it was chosen as the mascot for a couple of national sports teams, and for seven different states.

Songbird beaks often provide a clue, or a blatant disclosure, of the owners’ food preferences, especially if the species is a fussy eater—for example, primarily nectar, or meat, or in this case, seeds. There’s more than one way to crack a hard shell and evolution has equipped other granivores with distinctive but equally effective beak shapes. Even so, the cardinal’s short, thick, cone-shaped bill is typical of an avian seed-eater.

Which is not to imply that these black-masked bad-ass birds demand a solely grain-based diet; approximately 10% of their calories come from fruits, flowers, maple sap, and invertebrates. Moreover, their young are fed insects almost exclusively until they’re old enough to leave the nest and digest seeds.

Hatchlings cardinals don’t start life equipped with the same vice-grip their elders wear on their faces (rather than in tool belts at the waist). Given the sibling rivalry for Mom and Dad’s attention whenever they bring home groceries, it’s probably for the best that the youngsters don’t have access to pinching pliers until after they fledge; pushing and shoving are dangerous enough when the nursery is a twig cup perched precariously in the crook of a tree branch.

Eventually, the baby redbirds bills do morph into their final adult size and shape, although for a while the their adolescent nose may look out of proportion to the rest of their head. Hey, being an awkward teen is all part of growing up. It builds character, or so they say. 

With daily compulsory practice (at least if they want to eat) it doesn’t take long before those gawky bills are wielded like a finely crafted tool that quickly converts a feeder full of sunflower seeds into a pile of empty shells… or, very nearly brings a well-meaning wildlife biologist to her knees.


Back at the rehab center intake desk, the good Samaritans who had handed me the shoebox—a young mother and two small children—watched as I stood stock still, a bright red songbird pretending to be a pair of locking forceps stuck to my hand, struggling to hold back tears of pain (and four-letter words).

It’s been 20 years since I worked at the TWRC Wildlife Shelter in Houston, Texas. I’m not at all sure how long it took for the cardinal to release his grip… what feels like least a half-hour in memory was probably less than 3 minutes in real time. Luckily, there’s no scar on my hand, but my cardinal encounter did leave a lasting mark; the memory of that fierce feathered vice is riveted to my brain.

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[Thanks to the photographers who granted permission to use their photos, and to those who made their work available through the Creative Commons license: John Flannery, Fred Faulkner, Sasha Azevedo, Kenneth Cole Schneider, and John Flannery© 2017 Next-Door Nature. Reprints welcomed with written permission from the author.]

Treehuggers

I’ve been called a treehugger more than once in my life, and while I know the comments weren’t intended as such, I always take them as compliments. As a sobriquet it’s both true and false: true, because I do spontaneously hug exceptionally handsome or venerable trees; and false, because compared to the practiced professionals who scamper up and down tree boles every waking hour of their lives, my embraces are too amateurish to qualify as authentic hugging.

Sure, as a kid I would climb trees and hang from the larger limbs by my knees. We had several sturdy silver maples in our yard and I loved spending time in these leafy hideouts. But there’s more to being a treehugger than practice. I simply don’t have the body to become world-class, or even marginally proficient. To compete with the Eastern gray squirrels (Sciurus carolinensis) in my neighborhood, whose arboreal acrobatics would make a Cirque du Soleil gymnast green with envy, I would need a significantly different anatomy.

For example, I would need to lose enough weight (and height) to allow the friction created by the pressure of my paws gripping a small branch to overpower gravity’s bullying attempts to push me rudely onto the ground.

A better sense of balance would also be necessary if I were to have any success as a legitimate treehugger. I’m not saying I trip over myself on a daily basis but, as friends and family can attest, when I do fall it’s Charlie-Brown spectacular… and usually on my face.

Tree squirrels, in comparison, are masters at controlling their center of gravity. This can be attributed, at least in part, because they can hold on equally well with both hands and feet.  Here again I’m disadvantaged, and I place full blame on evolution, my DNA, and whichever hominid ancestors of mine, after climbing down from a tree on an African savannah, decided that standing upright and using feet almost exclusively for the precarious task of bipedal perambulation was a much better way to go than remaining quadrupedal.

My filed and brightly polished toenails would have to go, replaced by strong, sharp claws that could easily pierce porous bark or hook onto an uneven edge (completely impractical for someone who wears socks and sleeps under a blanket, though). Whereas humans, including me, need at least three points of attachment when climbing, this adaptation allows squirrels to secure their position with only two attachment points, and to grasp new surfaces at angles most animals would find impossible.

Most important of all, I would need feet that can pivot on a swivel joint, allowing my ankles to rotate backwards so I could hang from nearly vertical surfaces.

If I’d been born a flamboyantly fluffy-tailed rodent then maybe, just maybe, I could latch on to a wrinkle in the tree rind and hang by my toenails while enjoying a leisurely acorn snack. Alas, ’tis the fault in my stars to peer ever and enviously skyward, my feet with their simple-hinge ankles planted on the firmament at the base of the trunk, and looked down upon with curiosity and pity (I assume) from the higher-ups.

Life is better with a little Next-Door Nature—click the “subscribe”  link in the upper right-hand corner of this page and receive notifications of new posts!

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[Thanks to the photographers made their work available through the Creative Commons license: Mr.TinDC, Artful Magpie, JoeInQueens, and Jed Sheehan.  © 2017 Next-Door Nature. Reprints welcomed with written permission from the author.]

Wingsuit

Southern flying squirrel (Glaucomys volans), © 2014 Peter Harrill, used with permission

Is there any non-human skill people covet more passionately than the ability to fly?

Understandably, early aviation experiments centered around mimicry of birds, complete with flapping arms that were usually covered in feathers. The Greek legend of Daedalus and Icarus is a familiar example, but plumage continued to be part of the trial-and-error approach through the first years of the 19th century, when a tailor named Albrecht Berblinger constructed an ornithopter and then took an ill-fated plunge into the Danube. Those daring young men with their dreams of flying machines… they just didn’t understand the concepts of thrust, lift, and drag, and they couldn’t let go of the idea that soaring requires feathers.

I guess Saturday mornings with Rocky and Bullwinkle were not a part of their childhood.

Skip ahead in the history books about two hundred years, during which heavier-than-air flight went from foolish fantasy to fleetingly airborne, to semi-reliably aloft, to acrobatic enough to decide the outcome of a World War, to commonplace as ~30,000 commercial flights per day in the U.S. in 2017.

And yet…

Aviation advancements and inventions during the greater part of the industrial age were about balloons and dirigibles and planes, i.e., aircraft; human beings remained firmly planted on terra firma unless they could climb inside or hang from some kind of apparatus.

It’s hard to point to a specific aeronautic adventurer as the first to see a flying squirrel, recognized the similarities with their fellow mammal, connected the dots, and think, “Eureka! A wingsuit!” But no one lucky enough to have seen one of these big-eyed nocturnal windsurfers could fail to notice the resemblance to the modern flying suits that have finally allowed human beings to fly free as a bird squirrel, unencumbered by gondola, scaffolding, or fuselage.

Of course, strictly speaking flying squirrels don’t really fly, and neither do the people wearing a wingsuit.

They glide.

The wingsuit mimics a flying squirrel’s patagium—loose folds of skin that span the space between forelimb wrist and hindlimb ankle on either side of the body. Spreading those limbs into a jumping jack X, the furry membranes stretch into a rectangular shape that allows the tiny BASE* jumpers to propel themselves into the air and then slide down the sky at a 30-40 degree angle controlled fall.

© 2008 Steve Collins, used with permission

A long, flat tail is critical for controlling that fall. Serving as a rudder, it allowing 90 degree turns around mid-flight obstacles. The tail is used for landing, too; on the approach, the tail is raised to an upright position while, at the same time, all four limbs move forward to form a kind of patagium parachute. Together, these actions create enough drag to tip the animal’s head and body up as it prepares for impact with a tree trunk or branches, a bird feeder, or a building.

Northern flying squirrel (Glaucomys sabrinus) © 2015 Jukka Jantunen, used with permission

The New World is home to three species of rodent flyboys and flygirls: Northern (Glaucomys sabrinus); the recently differentiated and designated Humboldt’s (G oregonensis); and Southern (G volans). There’s some range overlap between Northerns and Southerns, but the two species are relatively easy to distinguish. Northerns are larger, but the belly of the beasts provides a much more notable difference; the underside of a Southern flying squirrel is creamy white, while Northern flying squirrels are beige below with darker roots.

Humboldt’s flying squirrel

There’s range overlap between Northerns (found from Alaska to Nova Scotia down to Utah and North Carolina) and Humboldts’ (whose limit their travels from British Columbia down into southern California) as well. However, the two are close enough in physical appearance and behavior that it took an examination of their DNA before scientists realized earlier this year (May 2017) that they were looking at not one species, but two. Humboldts’ have been described as smaller and darker than Northerns, but the fact that it took so long for the former to be recognized as distinctive (Southerns were first described in 1758, Northerns in 1801) suggests to me that one would have to do a mighty up-close-and-personal examination to make a positive ID.

All three varieties of Glaucomys have one important feature in common: they’re more risk-averse than you might have assumed. Riding the wind wearing a wingsuit is a dangerous activity for humans — one severe injury for every 500 jumps, according to one study, despite advances in materials, design, and training — but it’s just another day in the life of a flying squirrel. That’s not to imply they never miscalculate a distance, or botch a landing, or are immune from injury (or worse), but they do have concerns beyond thrust, lift, and drag, or changes in wind speed and direction.

Which is why, immediately after sticking the landing, a flying squirrel will scurry quickly to their nest hole, or the other side of the tree, or at least toward a deeper shadow. BASE jumpers and skydivers rarely have worry about avoiding predators waiting in the wings.

[Thanks to the photographers who granted permission to use their photos, and to those who made their work available through the Creative Commons license: Richard Schneider, and Barbogast. The painting of Icarus and Daedalus is by Charles Paul Landon, and the drawing of a New World flying squirrel is by Charles Henry Dessalines d’Orbigny, currently in the University of Washington’s Freshwater and Marine Image Bank; both images are in the public domain. © 2017 Next-Door Nature. Reprints welcomed with written permission from the author.]

*BASE is the acronym that stands for the four categories of fixed objects from which one can jump: building, antenna, span (bridge), and Earth (cliffs).

Long-stemmed

Daddy longlegs are the jazz cats of the arachnid world!

This realization came to me as I watched a single backlit note poised on a broken music staff bebop across the asphalt path in front of me. A soundtrack of jazz piano greats immediately began to play in my head — Willie “The Lion” Smith, Thomas “Fats” Waller, Art Tatum, Thelonious Monk, and Dave Brubeck, to name but a few. Chill dudes whose spider-like fingers strode, slid, bounced, and stomped across the keys.

Jazz has evolved and diverged from it’s start in the late 19th century as  ragtime and Dixieland into a genre so diverse it can be difficult to define, or even to list all the variations: Swing, Cool, West Coast, Modal, Free, Fusion, Funk, Cu-Bop, Post-Bop, etc.

The harvestmen, as daddy longlegs are also known (that even sounds like a 1950s jazz band, doesn’t it?) have an even longer and more impressive history. They’re a vast, improvisational set that spans millions of years and many taxonomic octaves, with over 6,500 named species worldwide (experts estimate there may actually be more than 10,000). And while not all the players in this big band have long legs, the ones who hangout in my neighborhood— eastern harvestmen (Leiobunum vittatum)— are definitely long-stemmed.

These invertebrate daddy-o’s are arachnids but they are NOT spiders; they’re more closely related to mites and scorpions.  Harvestmen don’t have a spider’s tiny waist… or venom… or silk (so no webs)… and they have only two eyes instead of eight.

Jazz musicians need to maintain their instruments to get the best sound; piano hammers need to be voiced, strings tuned, reeds moistened and valves lubricated.  Daddy longlegs are similarly serious about the tools of their trade, cleaning each leg after a meal by threading them through the pincers by their mouths.

Harvestmen are a gregarious lot who periodically congregate in the hundreds or even thousands. Scientists have suggested these spontaneous jam sessions might occur in response to climatic conditions or provide some protection against predators… but it’s pretty clear they aren’t making music (that can be detected by the human ear, anyway).

Members of Order Opiliones are exceptional even among arachnids. They can swallow small pieces of solid food, whereas their cousins are limited to a liquid diet. Conversely, daddy longlegs sip oxygen through their legs into a trachea, while other arachnids respirate through a gas exchange organ called a book lung. That’s probably just a warm-up, though. Like jazz, daddy longlegs are both familiar and mysterious. Little research has been done on these species… and who can say why? Maybe they’re a bit too avant garde to have a large fan base among researchers.

Or it could be the hours they keep and the dives they frequent. See, eastern harvestmen have more in common with jazz pianists than an impressive hand (or leg) span. Say what you will about the pleasures of sitting outside at a warm summer evening festival, lounging on a blanket in the grass while listening to a live performance — you’ll hear no argument from me. But to my mind, jazz is an urban art form, and the smokin’ hot licks happen in basement clubs. An intimate corner, low lights, insulated from street noise, maybe just a little damp…

Now that the kind of gig daddy longlegs’ dig.

 

[Thanks to the following photographers for making their work available through the Creative Commons license: Rob Swatski, Leslie Bliss, Rob SwatskiLuis Fernández Garcia, and schizoform.  © 2017 Next-Door Nature. Reprints welcomed with written permission from the author.]

Vert-de-Gris

Cope’s gray treefrog on a pepper plant. Photo: Alan Howell © 2017, Star Path Images, Used with Permission.

It isn’t easy being green. Kermit the Frog said it, so you know it has to be true.

He’s always seemed a reluctant celebrity, so my guess is that being the most famous Muppet-amphibian on the planet isn’t always a picnic. I wonder whether life would be a little less stressful if, like some of his cousins, Kermit could change from green to another color when he’d rather not be so conspicuous.

North American gray treefrogs know how to be seen and when to blend into their surrounding, shifting the spectrum from bright emerald to peridot, to gold, copper, platinum, silver, and even gunmetal. Since the places they hang out — trees and shrubs in woodlands, meadows, prairies, swamps, suburbs, and cities — tend toward palettes awash with green and gray hues, these arboreal amphibians can keep their sartorial choices simple. 

What looks like a costume change is actually a rather high-tech, cellular-level special effect created by chromatophores. These pigment-containing and light-reflecting cells, or groups of cells, are present in the skin of certain frogs, as well as some reptiles (including chameleons), cephalopods (such as octopi), fish, and crustaceans. Mammals and birds, on the other hand, have melanocytes, a different class of cells for coloration.

Chromatophores are classified based on their hue under white light:

  • melanophores (black/brown)
  • cyanophores (blue)
  • erythrophores (red)
  • xanthophores (yellow)
  • leucophores (white)
  • iridophores (reflective or iridescent)

The process, known as physiological color change, can be controlled by hormones, neurons, or both. Most studies have focused primarily on melanophores because they are the darkest and, therefore, the most visible. When pigment inside the chromatophores disperses throughout cell the skin appears to darken; when pigment aggregates in cells the skin appears to lighten. Either way, you’ve got an amazing makeover, or a convincing disguise, in no time flat! 

There’s even more to the gray treefrog’s ability to assume an alter-ego than meets the eye —what appears to be a single species is actually two very close relatives: Hyla versicolor, aka Eastern, although there’s a long list of pseudonyms from which to choose (there are more ways to hide than blending into the substrate); and Hyla chrysoscelis, aka Cope’s (which also has a couple of nicknames but not as many as H. versicolor).

Cope’s and Eastern are equally skilled at clinging to and climbing slick surfaces using large toe pads that secrete mucous, creating surface tension. It’s not uncommon to find one plastered against a window pane (allowing for an interesting view of their nether-regions). Both species prefer a diet of small insects, spiders, and snails. Both hibernate under leaves, bark, or rocks. Well, “hibernate” sounds a lot more cozy than the reality… which is that their bodies pretty much freeze and their lungs, heart, brain, and other organs stop working until they thaw out and reanimate in the spring. It’s a pretty nifty chemical trick, on par with being able to transform your complexion at will. 

Kermit has an unmistakable personal brand, but distinguishing H. versicolor from H. chrysocelis visually is just about impossible. Both Eastern and Cope’s are relatively small (1.5—2.0 in/3.5—5 cm), and the adults are often mistaken for younglings. Both wear a sweep of bright citrus-orange along the inseam of their hind legs (a signature shade is all the rage, you know).  Females of both species are usually (but not always) larger, with a ladylike white throat. During the breeding season, males have a macho (make that hipster, since it resembles a beard) black, gray, or brown throat. Guys sing. Gals swoon, but don’t sing along.

The ranges of these two species overlap, but Cope’s are more widely distributed. If you find a gray treefrog in North Carolina or Georgia, you can be reasonably certain it’s a Cope’s, but if you’re in Iowa or Pennsylvania, all bets are off. The only risk-free way to know for sure is to do a DNA test — Cope’s are a diploid species, meaning they have two sets of chromosomes, one from each parent (for a total of 24); Easterns are a tetraploid species, meaning they have four sets of chromosomes (for a total of 48).

Now, some frog call connoisseurs claim they can detect variations in breeding calls, and that Cope’s treefrogs have a faster and slightly higher-pitched trill than Easterns. But the call rates of both species change with ambient temperature… so color me skeptical.

[Postscript:  What kind of frog is Kermit? While I’ve never found a definitive answer to this question, I always assumed that because he was created/discovered by Jim Henson, he was probably Hyla muppetalis or Rana hensonii… something like that. However, in 2015 Brian Kubicki of the Costa Rican Amphibian Research Center discovered a frog who, if not the same species, must at least be a first cousin, or possibly Kermit’s doppleganger.]

Diane’s bare-hearted glass frog (Hyalinobatrachium dianae). Photo: © Brian Kubicki, Costa Rican Amphibian Research Center, Used with Permission

[Thanks to the photographers who granted permission to use their photos, and to those who made their work available through the Creative Commons license: Dave Huth(composite of color variations), , Chiswick Chap & CheChe, (melanophores schematic), Alan Wolf, Andrew Hoffman, and Douglas Mills© 2017 Next-Door Nature. Reprints welcomed with written permission from the author.]

Virtuosity

Maybe Bobby McFerrin was a house wren (Troglodytes aedon) in a previous life.

This thought popped into my mind when, after listening to On Being’s Krista Tippett interview the singer, I went out for a walk with my canine companion. We hadn’t made it too far down the sunny trail when we were suddenly drenched by a deluge of liquid notes. That vocal tsunami, pouring forth from an entirely disproportional feathered Dixie cup, stopped me in my tracks.

Like McFerrin, who is known for fluid, polyphonic singing and quick, oceanic octave jumps, the wren’s song bounced around like raindrops on pavement. I suppose that’s why the synapses in my brain connected the two muscians.

There are definite differences between these gifted songbirds, though.

For example, wrens and other passerine birds produce vocal sounds using an organ called the syrinx, positioned where the trachea splits into two bronchial tubes. Each side of the syrinx operates independently, so songbirds can produce a sweeping range of notes in fractions of a second, or two different pitches at the same time, or simultaneous rising and falling notes, all without stopping for a breath. Humans, by contrast, make vocal sounds by sending air from the lung into the windpipe, through folds (aka vocal cords) in the larynx, and out to the throat, nose, and mouth.

Admittedly, McFerrin often sounds as if he has a syrinx but, hard as it is to believe, he’s making all of those notes with the same equipment you and I have. It’s just that he’s playing every instrument in the orchestra, and we’re barely pecking out “Chopsticks.” His ability to switch pitch is inarguably stunning; however, even this virtuoso can’t match the speed of a wren running through the scales.

McFerrin has a rich and ever-expanding repertoire that includes pop, a capella, choralclassical, spirituals, and movie scores. Like any jazz artist worthy of the title, he is a master of improvisation; always learning, always expanding his technique, consistently creative and ready to try something new. Wrens, on the other hand, may sound like they’re jamming but they’re actually shuffling 12-16 stock syllables… kind of like a classically trained musician who learned to play according to the rules of the conservatory but wants to sound cool enough to swing.

You see, passerines begin their musical education when they are barely out of the egg, during a development phase known as the critical period. Listening to the adult birds around them, the youngsters tune in to the songs and calls of their own species. Once young wrens have left the nest they practice, over and over and over, dialing in the sounds until the song matches the memory. With the exception of mimicking species (e.g., mockingbirds, catbirds, and thrashers), there will be no extemporization. That’s because wrens choose a mate based on the ability to cover “their song” note for note. Some bird songs have geographic variations, sort of like regional accents, but chicks want a boy who sounds like he’s from the neighborhood, and will pass over anyone who sounds too exotic or experimental.

I’m much less discriminating, at least on that score. Bubbling, effervescent singing, whether it’s an improv by McFerrin or a house wren standard, always helps me tune out my worries… and that makes me happy.

[Play both videos at once so Bobby and the house wren can duet!]

 

[Thanks to the following photographers for making their work available through the Creative Commons license: Dustin Gaffke, , Todd Van Hoosear, and Rachid H.  © 2017 Next-Door Nature. Reprints welcomed with written permission from the author.]

Oddly Normal

I don’t live far from the eclipse’s Path of Totality, but I decided to stay put just the same. I didn’t even order eclipse glasses. I know there will be plenty of great video to watch throughout the day, and since my sweetheart is a talented professional videographer, I feel like I’ve got that angle covered.  I want to focus on what’s going on down under, here on Earth.

In anticipation, I’ve been reading stories about how the event will impact wildlife. Every single one of these reports has focused on the “strange” animal behavior we can expect to witness as the day goes dark… and I find that very strange indeed.

What these experts are calling odd is considered completely normal activity when it happens each evening. And from the descriptions I’ve read about what to expect, assuming night is nigh would be a perfectly reasonable assumption for any creature—human or non-human—who doesn’t have a television or an Internet connection and, therefore, doesn’t know that the sun will be playing hide-and-seek with the moon for a little while today.

Humans tend to be less familiar with nocturnal species than the ones who are active during regular business hours. I think the eclipse is going to offer a chance to get to know our neighbors who work the night shift… kind of like a rerun of the National Night Out that took place earlier this month.

As the light begins to dim, creatures who are active during the day may start their usual bedtime routines.  Some diurnal birds will sing one last serenade to the daylight as faux-evening falls…

…some will hurry back to nests of eggs or chicks…

…others will congregate for mutual protection, as they do at the end of every day.

Birds who love the night life will wake, possibly feeling less than rested but still ready to boogie in search of an early breakfast (or late dinner, depending how you look at it).

Some wild mammals are active and visible during the day, including a fair number of rodents such as tree squirrels, groundhogs, prairie dogs, and chipmunks. I’m expecting the eclipse to be a great time to see mammals who are usually waking up just as I’m starting to wind down…

Insect musicians will surely want to set the mood with a tune or two.

Fireflies know a little night music calls for romantic lighting…

…and amphibians aren’t about to let the invertebrates steal the limelight!

As the skies brighten we’re also likely to have a second dawn chorus… but without needing to get up before sunrise! So don’t despair just because the eclipse will pass your part of North America by, or because you don’t know how to make and use a pin-hole camera (even after you Google’d instructions). There should be some amazing wildlife sights to see, right here on good ol’ terra firma.

 

[Thanks to the following photographers for making their work available through the Creative Commons license: Eric Kilby, Dan Dzurisin, Ingrid Taylar, Pat Gaines, Rachel Kramer, Will WilsonTony Oldroyd, Michael Eisen, Elizabeth Nicodemus, USFWStsaiian, David Huth, and Ingrid Taylar.  © 2017 Next-Door Nature. Reprints welcomed with written permission from the author.]

Lonesome Doves

It’s a fine world, though rich in hardships at times. ~ Larry McMurtry

There’s a sweetness in the lament of a mourning dove (Zenaida macroura) that makes the sorrow bearable, and believable. Theirs isn’t an pop tune about a hookup with a hook, or a power ballad tale of infatuation, thrill, and transitory heartbreak. When mourning doves call I hear a country-western melody about spacious, isolated landscapes and complicated lives composed of joy and calamity, love and betrayal, not to mention good and evil that can’t be easily differentiated by the color of someone’s hat.

Country music has had it’s share of singers who could wail with convincing anguish on stage, then party ’til the cows came home once the show was over… so I have to wonder if the mourning dove’s high lonesome yodel —coo-OO, COO, coo — is simply part of the act. After all, that grievous angel cry is replaced by a jaunty whistle of wings every time they launch skyward.

Plus, doves are rarely alone and don’t seem to have much time in their lives to feel lonely. The whole clan is known to grow up fast (reaching sexual maturity at about 85 days old) and then pair up into monogamous ’til-death-do-we-part couples who take the directive to be fruitful and multiply seriously… as in up to twelve chicks in a single season serious (six broods of two chicks each). Both Mom and Dad are doting, active parents who share grocery shopping and child care equally, rarely leaving their babes unsupervised by at least one adult at all times.

The end of the lovey-dovey breeding season shouldn’t bring on the lonesome blues either, because that’s when the community flocks together in a big way. They go on group picnics, gobbling up seed in open fields or from the ground beneath backyard feeders until their crops are full, then settle onto fences, or walls, or telephone wires to digest the meal and the days events. They go drinking together, although for doves that means sipping water from puddles and bird baths rather than throwing back with Jose Quervo at the neighborhood saloon.

The community even sleeps together— literally, not euphemistically — roosting in trees and other protected areas. Comforted by the safety of numbers, they’ll drop their heads comfortably between raised shoulders rather than tucking in beneath a wing or over the back as so many other birds do.

Despite all the social network support, there is a darker side to the life of a mourning dove that may explain their doleful song — they often end up on the wrong end of a gun. Mourning doves are abundant, with a population estimated to be comprised of nearly 500 million individuals, but they are classified as a game bird and are the most frequently hunted species in North America. As many as 70 million are shot by hunters each year. Those who dodge the bullet still have to contend with the threat of lead poisoning from shot picked up from the ground while feeding.

Despite what their name implies, though, when one of these doves becomes a widow or widower they don’t spend a lot of time in Brokenheartsville bemoaning their newly-single status. In fact, they pair up again pdq. After all, ya can’t be fruitful all by your lonesome.

 

[Thanks to the following photographers for making their work available through the Creative Commons license: Sarah Richter, Chuck Roberts, George Thomas, Tina :0), Edward Peters, and Patty Myrick.  © 2017 Next-Door Nature. Reprints welcomed with written permission from the author.]