Vert-de-Gris

Cope’s gray treefrog on a pepper plant. Photo: Alan Howell © 2017, Star Path Images, Used with Permission.

It isn’t easy being green. Kermit the Frog said it, so you know it has to be true.

He’s always seemed a reluctant celebrity, so my guess is that being the most famous Muppet-amphibian on the planet isn’t always a picnic. I wonder whether life would be a little less stressful if, like some of his cousins, Kermit could change from green to another color when he’d rather not be so conspicuous.

North American gray treefrogs know how to be seen and when to blend into their surrounding, shifting the spectrum from bright emerald to peridot, to gold, copper, platinum, silver, and even gunmetal. Since the places they hang out — trees and shrubs in woodlands, meadows, prairies, swamps, suburbs, and cities — tend toward palettes awash with green and gray hues, these arboreal amphibians can keep their sartorial choices simple. 

What looks like a costume change is actually a rather high-tech, cellular-level special effect created by chromatophores. These pigment-containing and light-reflecting cells, or groups of cells, are present in the skin of certain frogs, as well as some reptiles (including chameleons), cephalopods (such as octopi), fish, and crustaceans. Mammals and birds, on the other hand, have melanocytes, a different class of cells for coloration.

Chromatophores are classified based on their hue under white light:

  • melanophores (black/brown)
  • cyanophores (blue)
  • erythrophores (red)
  • xanthophores (yellow)
  • leucophores (white)
  • iridophores (reflective or iridescent)

The process, known as physiological color change, can be controlled by hormones, neurons, or both. Most studies have focused primarily on melanophores because they are the darkest and, therefore, the most visible. When pigment inside the chromatophores disperses throughout cell the skin appears to darken; when pigment aggregates in cells the skin appears to lighten. Either way, you’ve got an amazing makeover, or a convincing disguise, in no time flat! 

There’s even more to the gray treefrog’s ability to assume an alter-ego than meets the eye —what appears to be a single species is actually two very close relatives: Hyla versicolor, aka Eastern, although there’s a long list of pseudonyms from which to choose (there are more ways to hide than blending into the substrate); and Hyla chrysoscelis, aka Cope’s (which also has a couple of nicknames but not as many as H. versicolor).

Cope’s and Eastern are equally skilled at clinging to and climbing slick surfaces using large toe pads that secrete mucous, creating surface tension. It’s not uncommon to find one plastered against a window pane (allowing for an interesting view of their nether-regions). Both species prefer a diet of small insects, spiders, and snails. Both hibernate under leaves, bark, or rocks. Well, “hibernate” sounds a lot more cozy than the reality… which is that their bodies pretty much freeze and their lungs, heart, brain, and other organs stop working until they thaw out and reanimate in the spring. It’s a pretty nifty chemical trick, on par with being able to transform your complexion at will. 

Kermit has an unmistakable personal brand, but distinguishing H. versicolor from H. chrysocelis visually is just about impossible. Both Eastern and Cope’s are relatively small (1.5—2.0 in/3.5—5 cm), and the adults are often mistaken for younglings. Both wear a sweep of bright citrus-orange along the inseam of their hind legs (a signature shade is all the rage, you know).  Females of both species are usually (but not always) larger, with a ladylike white throat. During the breeding season, males have a macho (make that hipster, since it resembles a beard) black, gray, or brown throat. Guys sing. Gals swoon, but don’t sing along.

The ranges of these two species overlap, but Cope’s are more widely distributed. If you find a gray treefrog in North Carolina or Georgia, you can be reasonably certain it’s a Cope’s, but if you’re in Iowa or Pennsylvania, all bets are off. The only risk-free way to know for sure is to do a DNA test — Cope’s are a diploid species, meaning they have two sets of chromosomes, one from each parent (for a total of 24); Easterns are a tetraploid species, meaning they have four sets of chromosomes (for a total of 48).

Now, some frog call connoisseurs claim they can detect variations in breeding calls, and that Cope’s treefrogs have a faster and slightly higher-pitched trill than Easterns. But the call rates of both species change with ambient temperature… so color me skeptical.

[Postscript:  What kind of frog is Kermit? While I’ve never found a definitive answer to this question, I always assumed that because he was created/discovered by Jim Henson, he was probably Hyla muppetalis or Rana hensonii… something like that. However, in 2015 Brian Kubicki of the Costa Rican Amphibian Research Center discovered a frog who, if not the same species, must at least be a first cousin, or possibly Kermit’s doppleganger.]

Diane’s bare-hearted glass frog (Hyalinobatrachium dianae). Photo: © Brian Kubicki, Costa Rican Amphibian Research Center, Used with Permission

[Thanks to the photographers who granted permission to use their photos, and to those who made their work available through the Creative Commons license: Dave Huth(composite of color variations), , Chiswick Chap & CheChe, (melanophores schematic), Alan Wolf, Andrew Hoffman, and Douglas Mills© 2017 Next-Door Nature. Reprints welcomed with written permission from the author.]

Summer Soundtrack

The eastern gray treefrog is one of many performers in nightly summer concerts.

The eastern gray treefrog is one of many performers at nightly summer concerts.

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One of my favorite things about summer is the free outdoor concerts. I’m not talking about local bands that occasionally perform from the park gazebo even though they can be a pleasant accompaniment to my evening dog walk. No, nothing says summer like the insect-amphibian jam sessions that take place almost every evening.
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I’ve moved quite a lot in my life and have been delighted to learn that each place I’ve lived long enough to grow accustomed to—six U.S. states and a Scandinavian country—has a timbre and cadence all its own, distinctive to that specific habitat in a certain continent on a singular planet in an expanding universe. It’s the soundtrack of home, wherever home may be at that particular time in field cricket 2 by Jimmy Smith, CCLone’s life.
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The musicians start warming up as the light begins to fade. They’ve been playing the same basic tune since I was a child so I immediately recognize the overture. By 7:00-7:30p the instruments are tuned and ready to swing.
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Field crickets (Gryllus spp.) establish the beat with their forewings, kind of like a finger-snap that varies from cool to hot depending on the atmosphere.
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Common true katydids (Pterophylla camellifolia) shift the accent…
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common meadow katydid by Rachid H, CCL… and the common meadow katydids (Orchelimum vulgare, not as common as the name implies) chime in with a bit of lawn-sprinkler syncopation.

 [you might need to boost the volume a bit on this one]

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Before long, the dog-day cicadas (Tibicen canicularis) are stealing the show.
dog-day cicada by Roger Engberg, CCL
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As the evening progresses, though, the cicadas and other insects cede the stage to the second act—the frogs and toads… possibly because these headliners have been known to devour the opening act!
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The band is made up primarily of horns and percussion. This isn’t jazz—there’s not much in the way of improvisation and the musicians don’t really take turns letting one another shine during a solo. It can be difficult to identify the featured players, in part because the cast keeps changing; there are fair-weather performers, some northern cricket frog by Andy Reago and Chrissy McClarren, CCLhave stormy temperament, and others don’t like to travel far from their favorite watering hole. Still, there are some easily recognized voices.
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Northern cricket frogs (Acris crepitant) step in to set the pace abandoned by their namesake insect. I’ve seen their call described as pebbles bouncing against one another but to me it’s a metal cabana—chain wrapped around a wood cylinder and shaken, not stirred.
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The American toad (Anaxyrus americanus) is a minimalist; not much complexity but the sustain on that single trilling note is impressive.
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green frog by Matt Reinbold, CCLThe green frog (Lithobates clamitans), on the other hand, is a true traditionalist—no electric bass for this fellow, or even an upright acoustic. Listen carefully and you’ll hear his homage to a single string and washtub.
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Tiny boreal chorus frogs (Pseudacris maculata) play plastic comb call-and-response…
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eastern gray treefrog by USFWSmidwest, CCL… and the gray treefrogs (Hyla versicolor) are in charge of the upper register. These little guys can blow, plus how about that vibrato!
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When the gang’s all here and lettin’ it rip the result is more cacophony than symphony—not everyone’s ideal night music but a lullaby to my ears.
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© 2015 Next-Door Nature—no reprints without written permission from the author (I’d love for you to share my work  but please ask). Thanks to these photographers for making their work available through a Creative Commons license (CCL) or Project Guttenberg License (PGL) (from top to bottom):  USFWSmidwest (eastern gray treefrog); Jimmy Smith (field cricket); Lisa Brown (common true katydid); Rachid H (common meadow katydid); Roger Engberg (dog-day cicada); Andy Reago & Chrissy McClarren (northern cricket frog); AllieKF (American toad); Matt Reinbold (green frog); J. N. Stuart (boreal chorus frog); USFWSmidwest (eastern gray treefrog).